Here’s my 10 favorite plugins

Here’s my 10 favorite plugins, in no particular order. I probably use
these plugins on darn near every mix I do.

soundtoys echoboy
berst delay ever

Soundtoys EchoBoy – I’m a big fan of older analog delays. Echoboy has
all the flavors of vintage delays I have obsessed over. Echoplex,
Binson EchoRec, Memory Man… it really does sound, smell and operate
like those vintage units. I love dub reggae and I find this unit more
than any other delay plugin can cover all those dubby flavors of echo
and delay. Very fun plugin I’ve had for awhile.

Universal Audio Pultec EQ – Im getting more into Pultec-y sounds these
days, especially on rock instruments like bass guitar, electric
guitar, etc. Never been a fan of the user hostile blind interface,
like what is it actually doing? So I started putting a visual spectrum
analyzer after the Pultec to see what it does, and it’s kind of crazy.
It boosts then cuts but in uneven ways that leaves various curves,
almost all of them interesting and musical. Bass Guitar sounds awesome
with it.

1176 ua

Universal Audio 1176 FET Compressor – this sounds good on almost
anything, I use it alot as a “back buss”, which means I send various
things to it to give it more weight in a mix, usually a family of
things like all guitars or all background vocals. I also send and
return from snare tracks and use that smooshy dark color to add to
clean snare, essentially parallel compression.

Universal Audio LA-2A Compressor – my go to Vocal compressor, it has a
slight high end boost that allows vocals to cut through a mix without
a volume boost. Simple controls makes compression hard to mees up.

Waves Ren Eq  – a delicious semi-colored eq, sounds wonderful on
cymbals and vocals, any band can go to any frequency, a mainstay for me for years.

Waves S1 Imager – stereo imager, always use on overheads to get proper
stereo image and perspective, centering snare image in overheads,
tightening spread. Stereo Imaging is huge in keeping large stereo elements in check.

Valhalla Vintage Verb – I really like reverb; good quality reverb, and
this plugin is my favorite reverb plugin. More of an emulation of past
hardware units, think Lexicon ish. The tails are delicious and the
interface is easy on the eyes. I like the longer hall and chamber
settings. Top Vocal reverb choice for sure. Valhalla makes amazing plugins.

Lindell 80 channel
I have had the pleasure of working with a vintage Neve recording
console a few times (looking at you, London Bridge!) and it left quite an impression. The Lindell 80 channel is my favorite Neve style plugin. The Red Knob gain is soharmonically rich and makes any signal thicker and more like tonesyou’d associate with 70s rock and roll. The compressor is subtle but
usable, there’s a little THD screwdriver knob that can turn this
plugin into a distortion pedal! I end using this on almost every
channel often times on the end of the chain as final gain boost.
Divine on electric guitars pushed a bit with red knob. Hard to imagine
life without it.

I also generally use the Lindell 80 Buss plug (similar vibe) on my
master bus into…

PlugIn Alliance Bx Townhouse Bus Compressor – a brilliant SSL style
Buss Compressor – Built in 1978 by the legendary Townhouse studio
engineers, this one-of-kind compressor was created using classic
console components supplied by Solid State Logic (SSL). Handmade in an
era when it was impossible to buy an external SSL buss compressor off
the shelf, this unique hardware unit was used heavily during the 80s
and beyond by some of the biggest names in rock, including Queen,
Sting, Muse, Oasis, Coldplay, Ozzy Osbourne, Phil Collins and many
more.

Then finally into…

PlugIn Alliance Bx True Peak limiter, a very transparent limiter to
catch extreme stray transients after all else. I try to use very little of buss compression so mastering has room to work.

Thats my Master Buss.

So those are the top ten plugin mainstays of my mix template.

Get a Mixerguy quote now!

Sessionwire – When COVID was a thing…

Sessionwire – When COVID was a thing in 2020, I began a search for a software to allow me to work on music production remotely with clients with good
fidelity. Sessionwire showed up on my radar Spring 2020 and I began to
experiment with it. Mixing is usually an email communication thing, I
make a mix, you listen at home and send me back “notes” with revision
ideas. The quicker you get back to me, the quicker I can implement
changes. Hopefully the feedback loop is quick and tight enough to
avoid me going down long “time holes” or “wrong ends” as I call them.
Sessionwire is perfect, kinda like zoom but with uncompromised sound
quality. Screen sharing is also a key function for consulting and
sharing of ideas, software useage, etc.

mixerguy.com

Back in the day, all mixing and mastering sessions were attended in my
studio. The client would be there, probably listening to a version I
spent a few hours on preparing. The client is listening on my speakers
in my room, which is both good and bad. Good in that they hear what I
hear, but bad in that this environment may not be familiar, and later
when the client listens to it on the home systems (or car) they may
feel it sounds different. The art of music production is one of trying
to get the sound the client wants, everywhere if possible. You don’t want the
music only sounding good on one set of speakers. Translation is a
topic I’ll dive into much deeper in another post. But the priority is
to make the client/composer happy with the sound they are hearing,
optimally through their own stuff. Sessionwire does that very well.

Sessionwire has a few strengths: I find it relatively easy to use,
especially in setting up clients to listen. I have only used it in a
mixing/mastering context, but it can also be used for remote tracking,
consulting purposes, etc.

I enjoy the freedom Sessionwire gives me to have the client “right
there” making decisions with me, but then if I choose I can go work on
my own without putting my client out. Plus I don’t have to vacuum! 😉

mixerguy.com

Here’s Sessionwire’s website blurb on their program:

Sessionwire is a specialized, high-fidelity remote recording and
collaboration platform designed for audio professionals, offering
studio-quality bi-directional audio (48k/32-bit float), ultra-low
latency, and seamless DAW integration. Its primary strengths include
built-in HD video/talkback, easy guest access via browser, and secure,
direct file sharing, making it ideal for remote tracking and mixing.
Key strengths of Sessionwire as a remote software include:
High-Quality Audio & Low Latency: Delivers studio-quality,
uncompressed, or lightly compressed audio streams, ensuring real-time
performance without noticeable delay. DAW Integration: Features VST3,
AAX, and AU plugins that allow direct routing of audio from any DAW
(Pro Tools, Logic, Ableton, Studio One) for seamless collaboration.
Integrated Communication Tools: Combines high-definition video
conferencing, voice chat, and specialized talkback functionality (with
auto-mute) in one application, eliminating the need for separate apps
like Zoom or Skype. “Behind the Glass” Experience: Facilitates a
natural, real-time working environment, allowing producers and artists
to feel connected as if they were in the same room.
User-Friendly Guest Access: Allows guests to join sessions instantly
through a web browser, which simplifies the approval process for
clients without requiring them to install software.
Secure File Sharing: Provides built-in file transfer capabilities,
allowing for secure, direct sharing of audio stems and project files.
Cross-Platform Support: Compatible with both macOS and Windows,
catering to diverse studio setups. Essentially, Sessionwire replaces
the need to combine multiple, less specialized tools (like Zoom for
video, Dropbox for files, and Source-Connect for audio) by offering an
all-in-one, purpose-built, and user-friendly platform for remote music
production.

For more information, visit: https://www.sessionwire.com/

Get a Mixerguy quote now!

One of my favorite bands to mix…

One of my favorite bands to mix live here in Siskiyou County is Kangarilla. This five-piece powerhouse hard rock group delivers a dynamic blend of ’90s grunge and heavy rock classics.

Ben leads with commanding vocals, Jeremy and Barry shred on guitars, Spencer drives the drums (and bass), and Mark holds down the bass (and drums!). Ben is a formidable frontman, skillfully channeling the iconic voices of ’90s rock. The music lives on, and I strive to honor it with a big, heavy, thumping sound.

For this gig, I used my trusty iPad controlled RM32AI rack mixer into my 15″ tops and 18″ sub.

The band all have ears so no wedges muddying up the joint.
The space is a pretty cool sounding warehouse with random crap all
over vibe. They have a full load deck out back and a rolly cart!
Divine! Sad they’re moving on, but maybe the next place will be as cool.

MS Brewery has had to relocate, and so this was the swan song for live
music at the current location. We wish them the best in their
transition. Kangarilla will be playing alot of gigs this summer, Ill
pimp their dates as they materialize, highly recommended band!

Get a Mixerguy quote now!